Banks

she goes to the river

most mornings to watch and listen

to pray

she likes the soft ripple of waves

their song barely audible above

whispering leaves and rhythmic steps

of wanderers on the nearby gravel path

she brings bouquets from her garden

tied with wispy ribbons

or string bits she finds in the street

trees are gods she thinks

deserving of these quiet gifts

they take in talk and laughter

hear confessions

absorb human moanings and sighings

rearrange and purify

transform and lighten them

absolve

she knows

she brought her own

stowed them deep in a hollow

she owes her freedom to a tree

to the river flowing past

winding its way into the bay and out to sea

she goes to pay homage

drops her petals of gratitude

encircling the tree with blossoms

she is a pilgrim

she goes to the river most mornings

her river her tree her temple

and though she cannot yet swim

is still afraid of climbing

she will and she can~

The Red One

the look of red leaves on dampened earth

the way the little maple endures

gaunt trunk bent in deference to wilder

one season to next never thicker yet grand

its full red glory reflecting August’s fair light

leaning away from the giants encroaching

to catch a sliver of sun

its shimmer inviting juncos to alight for rest

while waiting their turn in the bath below

the shade of her wide mid summer canopy

the subtlety of her muted autumn shedding

scarlet leaves loosed one x one on windless

days to spin sway turn in improvised solos

each one an exalted prima in high spotlight

while a mere human in slack jaw wonder

slow breathes as single witness

awaiting anticipating

the last leaf’s graceful landing

a funeral hymn’s replay expected

mourned like the loss we always thought

we’d never meet again~

Aftershake

rainclouds darkened the sky the morning of our departure, marking the end of so many days passed in spring sunlight

everything eventually fades

the day before, we’d ridden bicycles for four and a half hours, exploring the ribbon of trails through a corridor of green along the Avon

sunlight and tranquility

after the quakes whole neighbourhoods crumbled and remaining landscapes fell into zones deemed off limits for human inhabitation, allowing only nature to reclaim and resettle

all stories are impermanent

the river still winds and flows, pūkeko and black swans complementing its rippling grace, sedge and flax flourishing along its banks

birds don’t mind an absence of humans’ homes or driveways leading nowhere, their songs rise amid remains of once well loved gardens and wild seed growth between new stabilizer trees

denouement and emergence

we ride and ride and ride, read signs naming emptied cul de sacs, conjuring scenes of houses and fences and children—sounds of lives that once were

a melancholy, sobering parade

renewal flourishes and we mingle with the fabule establishment, voyeurs floating on wheels among muted ghosts still searching for taonga that might somehow have escaped the great rearrangement of order

an embrace of hope, memory, and resilience~

The Past, Echoing

concept

am I or am I not

an echo of consequence

accumulation of matters

existence

there’s that photo

child in a jar

eyes arms knees

bridges

when suspended

breath words steps rhyth

um mantra rescue drum

listen

city street sculpture curves

midday highlights

numbers out of sequence

Time

remember

how basic were firsts

awkward digits shift into

music

forgotten

intruded upon

a silvereye landing

in the grass

at my feet~

Gallery of Nothing

on my vacation this year I visited

the Gallery of Nothing

in a City of Nowhere someplace out of style

I heard that for entrance

no ticket’s needed no stamp no facial ID

doors of glass slid open in silence

‘remove footwear’ read a handwritten sign

no attendant in sight to ensure

my compliance

(so did I or didn’t I? hush hush is the story)

there were walls and long clear windows

there were many halls and airy rooms

no sounds but my heart’s slow beating

my low anticipatory breath

a room at the centre of the gallery

seemed larger than all of the rest

round dome ceiling of opaque glass

hickory floor shiny smooth so clean

I lifted my arms and spun round slow

awkward dancer absent of rhythm or grace

a blank screen tumbled from above

a flicker a blur a simple scene emerged

movement a body a face two eyes looking

looking straight out straight through me

caught in my half spin suspended

was there a pause I can’t say for certain

before we danced and turned soundlessly

this instructor framed in soft startled blur

a barefoot visitor on the edge of time

wandering vacationer seeking nothing

finding new solitude somewhere

that’s still open and free~

Orchard

I saw moon again tonight

She waltzes with Saturn’s reflection

It’s hot and they were levitating

I saw Jupiter through one eye

These two droll dreaming

Summer hounds of desire

I saw misery in the distance

Plotting with a new king

I could despair but no!

There are peaches in my orchard~

~~~~

Orchard published in Windhorse 2023, p37

Chair

have you

ever wished

you had

your own

Little Chair

safe inside

an impenetrable

glass dome

shiny clear

could it

become your

comfort place

would it

be like

another home

a chair

a dome

you alone

who might

approach your

Steel Stairs

step light

hoping for

interaction while

you sit

naming all

the stars~

Signs

This might be the cover of my next book.

It might not take so long as the others have to write as I think I might leave the pages of this one clear of any ramblings, rhymes, and stumbles.

Can the subtle sound of blank pages turning by one’s own hand lead to anywhere worthy?

If I were to leave a copy of Grace on a park bench, would a passerby take it and carry it along and then later in their room slowly turn its blank pages and be stirred somehow?

Then close it again and put it away.~

Dark As Anyone

tension clouds in the air today

tension everywhere and every way

walking around eyes to the ground

suspicion grinds it’ll take you down

sometimes I don’t want what it is I see

so much cracked fragmented humanity

Tom Waits says a song is like a prayer

a letter sent to somebody way out there

scribble me one I promise I’ll read

somebody willing to plant a good seed

I lean in close to the sound I hear

find hope in thin slivers of possibility🪶

Pencil on paper. Images arise. Message received.